Kick-Ass Review

Article originally written and published in OHS's The Prowl
If you have a problem with profanity, violence and a little girl killing lots of evil men with guns and knives, stop reading this right now; this movie is not for you. Okay, now that we’re rid of those people, let’s talk about one of the most entertaining movies of the year. Take one part “Superbad,” one part “Kill Bill” and one part “Spiderman,” whirl them together, and you’ve got the two hour, pop culture-induced seizure of violent behavior, swearing and hilarity known as “Kick-Ass.”

The movie revolves around the life of Dave Lizewski (Aaron Johnson), a nobody comic geek who’s tired of people just putting up with petty crime and miscreants. So, he orders a scuba wet suit, a set of batons and takes to the streets as a vigilante.  Dave’s just an average guy; however, he doesn’t have any training in fighting crime. So, in his first attempt to stop a mugging, he gets shanked in the stomach, staggers in the street, gets hit by a car and is rushed to the hospital. And it’s absolutely hilarious. The violent slapstick humor constantly rides the line between hilarity and shock, especially once the characters of Big Daddy and Hit Girl are introduced.

On their own personal vendetta against a crime family in New York, Big Daddy (Nicholas Cage) and Hit Girl (Chloë Grace Moretz) are the most entertaining characters in the movie. The pair are pretty much hyper-real versions of Batman and Robin, except they have guns, swear and chop up criminals. Moretz’s electrifyingly outrageous performance as the profanity-spewing, butterfly-knife throwing Hit Girl completely steals the show. Seeing a nine year-old dispatch a gang of cocaine-hustling thugs with a double-bladed karate staff of doom is one of the most absurdly hilarious things to have ever hit the big screen.

“Kick-Ass” has an energy that few movies are able to obtain; it aggressively disregards standard morals and societal constraints, yet still manages to get the audience to side with and care for the violence-prone protagonists. The audience is always rooting for Kick-Ass to kick ass. And he totally does (after getting the living daylights beat out of him about four times).

Joel Samson Berntsen (This Must Be The Place(Naive Melody) - Talking Heads)